An Interview With Creature
July 23rd, 2020 by chocko
Creature makes his return to Planet Chocko to talk about his latest release titled The Day Night Stood Still which features brand new tracks from an MC I first met more than a decade ago, outside of the legendary and now defunct hip hop store, Fat Beats. Over the years, I would bump into Creature at random punk and hip hop shows, and on the streets of NYC selling his music. I always admired his creativity, drive and diy approach to getting his art out into the world. In recent years, we’ve had the pleasure of seeing him rock the mic and start up mosh pits as the lead singer of Rebelmatic so it was a bit of a surprise to see him drop a couple hip hop tracks out of the blue. Definitely check it out and thank you to Creature for taking the time out to answer a couple of questions.
For those who don’t know you, introduce yourself. What hip hop artists did you listen to in your younger days and what made you want to be an artist and how would you describe your style and technique on the mic?
Hey what’s up world, this is Creature aka Creaturenomics, and I’m an MC. I’ll give you a brief history about me. I started out with a group called Triflicts. We were signed to Island/4th & Broadway Records. Our single came out in 1996 produced by The Beatnuts. Once we disbanded, I started releasing a plethora of independent music. I also started collaborating with people like MF Doom, Slug from Atmosphere, Prefuse 73, Homeboy Sandman, Rob Sonic, Vordul Mega, etc. I became a legend for selling CDs in the streets of New York. That led to appearing in publications such New York Times, Hiphop Weekly, XXL, Mass Appeal and more. I have toured about 15 countries in Europe. My main inspiration behind rapping was Chuck D from Public Enemy. Influences…Wu-Tang Clan, Gab Gotcha, Buck Live (Triflicts), Biggie, The Doors, Bad Brains, Mobb Deep, Outkast and Goodie Mob. The best way to describe my style and technique is aqua kinetic, because it’s diverse and always in motion.
“The Day The Night Stood Still” EP came outta nowhere. Where did these songs come from? Were they old songs written in a notebook? Was there a particular incident that made you want to put out some hip hop songs?
The Day Night Stood Still is an EP of songs I had written. In all honesty, the EP was inspired by the pandemic and the social unrest in America. The Rebelmatic album was done, and we were planning the next move but then the pandemic changed everything. Since I had some time, I went into the studio and recorded this EP along with another EP. I had an urgency to put out this material to show my love for rapping. I may be the singer in Rebelmatic, but I love to rap and I have never stopped.
A lot of the EP at a first glance deals with a tremendous amount of gloom and despair…crime, funerals, vampires. You pull us out of the darkness with the last track. Was that intentional?
As far as the theme of gloom and despair, I was expressing the mindset I was in when those songs were written. The last song was intentionally written to pull the listener out of the darkness. It’s a celebration of the bands we played with during our once a month residency at Max Fish, the iconic bar on the bar on the Lower East Side in Manhattan. The bands being Rebelmatic, Maafa, The 1865, Universe Ignores Her, Winter Wolf and others. I’m shouting out all of our friends and family and presenting a tribal community of musicians.
The last track “Max Fish N Grits” is a fantastic homage and shout out to the shows and the bands that played at your residency at Max Fish on The Lower East Side. Could you talk about those shows and how much they mean to you?
Yeah the shows mean a lot because of the sense of community. All the bands sound different, but we all make sense playing together. There are black and indigenous folks rocking out together and the atmosphere is great.
Tell us a little bit about the producer of the EP, Black Crane. What made you gravitate towards his work?
Well Black Crane is Anthony Solis, guitarist in the band Maafa. I heard his instrumentals on Bandcamp and I liked them so much, I reached out to him.They have this Wu-Tang Clan vibe, so I was immediately drawn to his production. He sent me some beats and we recorded the EP quick.
Thank you for your time. Is there anything else you would like to mention?
Another EP is on the way. It’s called Hunt For The Future, produced by El Pres’ Beats. That will be coming out later on in 2020. Thank you for the interview in time. Pick up the Day the Night Stood Still. You can go to creaturenomicsnyc.bandcamp.com. Also, pick up my band Rebelmatic album, Ghost In The Shadows, which will be out August 28th 2020 on Red Right Recordings. Shout out to Jamel Rocwell, shout out to Milly Mango, Undeniable, Gab Gotcha, Calle Cardona. My hip hop people.
Tags: creaturenomics, hip hop, interview, mf doom, new york city, rap, rebelmatic, triflicts, underground hip hop, wutang clan
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